Salman Rushdie Says AI Has ‘Zero’ Role in Storytelling, Teases New ‘Midnight’s Children’ TV Adaptation, Film of ‘The Ground Beneath Her Feet’ (EXCLUSIVE)

New Delhi, India Jul 9, 2026 ALN: Salman Rushdie, a prominent figure in contemporary literature, has made headlines recently with his bold assertions regarding the role of artificial intelligence (AI) in creative fields. He has categorically stated that AI has no place in literature, cinema, or storytelling, arguing that the technology lacks the ability to produce original thought. In an interview, he expressed his views succinctly, saying, "Nothing. Zero," when asked about AI's contribution to creative work. Rushdie elaborated on his perspective by emphasizing that AI can process vast amounts of information and generate versions of existing content, but it fundamentally cannot create something entirely new. This viewpoint aligns with Rushdie's long-standing belief that true artistry involves discovering uncharted territories in creativity, a notion he believes AI cannot fulfill.

Rushdie’s comments come at a time when discussions about the impact of AI on various sectors are intensifying. As technology continues to evolve, many industries are grappling with the implications of AI's capabilities. In the realm of creativity, there is a growing concern among artists and writers about the potential for AI to dilute originality and undermine the human experience that underpins art. Rushdie's dismissal of AI is not just a personal opinion; it reflects a broader skepticism within the literary community regarding the authenticity and value of AI-generated content.

In addition to his thoughts on AI, Rushdie recently accepted Liberatum’s 14th Cultural Honor at a ceremony in London, where he engaged in a wide-ranging conversation about art and its purpose. He articulated that art transcends mere entertainment; it serves as a medium for challenging societal norms and provoking thought among audiences. Rushdie acknowledged that while not everyone may appreciate challenging art, the discomfort it can evoke is often a vital part of its significance and impact.

Rushdie also touched upon the adaptations of his novels, a topic that has been of considerable interest throughout his career. Despite ongoing interest from the film industry, he noted that only a few of his works have successfully made the transition to screen. He cited the film adaptation of "Midnight’s Children," which he adapted himself alongside director Deepa Mehta, as a notable exception that met his expectations. This adaptation was particularly significant as it brought to life one of Rushdie's most celebrated novels, which explores the intertwining of personal and national histories in post-colonial India.

However, not all adaptations have fared well. Rushdie mentioned that a previously announced television adaptation of "Midnight’s Children" with filmmaker Vishal Bhardwaj did not progress due to financial constraints and creative differences, particularly regarding the direction of the script. Such setbacks are not uncommon in the film industry, where projects often face numerous challenges before they reach fruition. Rushdie's candid acknowledgment of these difficulties highlights the complexities involved in adapting literary works to film and television.

Despite these challenges, there appears to be renewed interest in adapting Rushdie's works. He mentioned ongoing conversations about a multi-episode television adaptation of "Midnight’s Children" and a film adaptation of his novel "The Ground Beneath Her Feet." This resurgence of interest suggests that there remains a strong desire to bring Rushdie's intricate narratives to a wider audience, although he remains cautious, stating, "believe it when you see it." This sentiment reflects a realistic understanding of the industry's unpredictability.

Rushdie also engaged in a broader discussion about the relationship between literature and its film adaptations. He pushed back against the notion that great novels rarely translate into successful films, citing examples such as "The Lord of the Rings" trilogy, Luchino Visconti’s "The Leopard," and Martin Scorsese’s "The Age of Innocence." These adaptations, he argued, are not only faithful to their literary sources but also stand as significant works of art in their own right. This perspective underscores the potential for literature and cinema to intersect in ways that enhance the storytelling experience, rather than diminish it.

In terms of his future projects, Rushdie discussed the documentary titled "Knife: The Attempted Murder of Salman Rushdie," directed by Alex Gibney. This film is based on Rushdie's upcoming memoir, "Knife: Meditations After an Attempted Murder," which is set to provide a personal account of his experiences following the infamous fatwa issued against him in 1989. The documentary premiered at the Sundance Film Festival in January and is scheduled for a U.K. premiere in early September, with plans for a U.S. release around the same time. Such projects not only shed light on Rushdie's life but also contribute to the ongoing discourse surrounding freedom of expression and the challenges faced by writers in hostile environments.

When asked about the possibility of a biopic centered on his life, Rushdie expressed a reluctance to explore that avenue, stating, "I didn’t become a writer in order to write about myself. In fact, I think I’m the least interesting subject. But I became a writer to make things up." This statement reflects Rushdie's commitment to fiction and his belief in the power of storytelling to create new worlds and experiences, rather than merely recounting personal history.

In addition to his various projects, Rushdie revealed that he is currently working on a new novel. However, he chose to keep details under wraps, describing it as "early days." This statement leaves fans and literary enthusiasts eagerly anticipating what Rushdie will produce next, as his previous works have consistently garnered acclaim for their rich narratives and profound themes.

Overall, Salman Rushdie's insights into the role of AI in storytelling, the challenges of adapting literature for the screen, and his ongoing creative endeavors provide a glimpse into the mind of a writer who has navigated the complexities of the literary and cinematic worlds. His commitment to originality and the integrity of art serves as a reminder of the enduring power of human creativity in an age increasingly influenced by technology.