Lauren McQueen to Lead Michael J. Long’s British Psychological Drama ‘Crack’d’ (EXCLUSIVE)

New Delhi, India Jul 7, 2026 ALN: Lauren McQueen, an actress who has recently garnered attention for her portrayal of Maid Marian in the MGM+/Lionsgate series “Robin Hood,” is set to take the lead in the upcoming British psychological drama “Crack’d.” The film has recently released a first look, generating excitement among film enthusiasts and industry insiders alike. The anticipation surrounding this project reflects a growing interest in narratives that delve into the complexities of human experience, particularly those that explore the darker aspects of life.

“Crack’d” is currently nearing picture lock, a crucial phase in film production where the final edit is completed. This stage is significant as it marks the transition from production to post-production, where sound, visual effects, and final touches are applied. The film is set and filmed in Liverpool, a city known for its rich cultural heritage and vibrant arts scene. Liverpool has a storied history in the arts, being the birthplace of The Beatles and a hub for various cultural movements. The choice to film in this city not only provides a visually striking backdrop but also adds layers of authenticity and relevance to the narrative. In this film, McQueen portrays Chloe, a once-promising young actress whose life unravels as she becomes ensnared in a vicious cycle of addiction, violation, and violence. This role marks a significant departure from her previous work, showcasing her range as an actress and her ability to tackle complex, challenging characters. The film also features performances from Robbie O’Neill, known for his roles in “Adolescence” and “Enola Holmes 3,” and Jodie McNee, recognized for her work in “The Gathering.” The casting of local talent from Liverpool adds authenticity to the project, reinforcing its connection to the region and its stories.

Creative Vision

The film is helmed by Liverpool-based writer and director Michael J. Long, who has a vision that extends beyond just telling a story. He describes “Crack’d” as a project that “shifts from gritty social realism into psychological fracture,” indicating a narrative that will explore the depths of human experience and the impact of trauma. This exploration is particularly relevant in today’s society, where mental health and the consequences of addiction are critical topics of discussion. Long’s aspiration is that this film will contribute to a new era of filmmaking emerging from his region in the north-west of England, which has historically been underrepresented in the film industry. The North of England, often overshadowed by London-centric narratives, has a wealth of stories and experiences that deserve to be told. Long’s commitment to showcasing these narratives is a vital step toward diversifying the cinematic landscape.

Long has articulated a mission for his work that aims to champion raw, character-driven storytelling with a distinctly Northern, working-class perspective. He has coined the term “The Scouse New Wave” to describe this movement, positioning it as a pivotal moment for regional filmmakers to tell authentic stories that resonate with their communities and beyond. This initiative not only seeks to elevate local narratives but also aims to inspire a new generation of filmmakers to explore the complexities of life in the North of England. By fostering a sense of pride in local storytelling, Long hopes to encourage collaboration among artists in the region, leading to a flourishing creative community that can produce impactful work.

Production Details

The production of “Crack’d” is being executive produced by Marc Koebernick, Long, and AJ Jones, who also serves as a producer and appears in the film. The film is produced by Funk Films, a company co-founded by Long and Tom Sidney, in collaboration with Zope Studios. The production team also includes notable figures such as Paddy Rowan, Kayleigh Ann Coleman, Bobby Schofield, and Shaun Fagan, all of whom bring their unique talents to the project. Each member of the team contributes to the film’s vision, ensuring that every aspect of the production aligns with the intended narrative and emotional impact. Ben Molyneux-Chan serves as the director of photography, ensuring that the visual storytelling aligns with the film’s psychological themes. The cinematography is expected to play a crucial role in conveying the internal struggles of the characters, utilizing lighting, framing, and movement to enhance the storytelling.

This film represents Long’s second feature after his debut, “Baby Brother,” which premiered in 2024 at the Oldenburg Film Festival, where it won the Hans Ohlms Award. The recognition received by Long’s debut film sets a promising precedent for “Crack’d,” as it builds upon the foundation of storytelling and filmmaking quality established in his earlier work. The accolades from film festivals can significantly elevate a filmmaker’s profile, providing opportunities for future projects and collaborations. Long’s trajectory suggests a commitment to exploring challenging themes and narratives, positioning him as a notable voice in contemporary British cinema.

Future Plans

“Crack’d” is targeting an international festival premiere in early 2027, a strategic move that could position the film for critical acclaim and wider distribution. Film festivals often serve as a launching pad for independent films, providing them with exposure to audiences, critics, and potential distributors. The festival circuit can be a vital component of a film’s success, allowing it to gain traction and build a reputation before entering the commercial market. Long is represented by Independent Talent, a prominent agency known for its roster of influential figures in the entertainment industry. Meanwhile, McQueen, who is currently filming the second season of “Robin Hood,” is represented by WME and Tapestry, indicating her rising profile in the industry. Her involvement in high-profile projects suggests that she is becoming a sought-after talent, which can further enhance the visibility of “Crack’d.”

The film’s focus on psychological themes, combined with its strong regional identity, suggests that “Crack’d” is poised to make a significant impact in the film industry. As audiences increasingly seek out authentic and diverse narratives, the film’s exploration of addiction and personal struggle can resonate on a universal level. The emphasis on character-driven storytelling aligns with current trends in cinema, where viewers are drawn to stories that delve deeply into the human condition. This trend is evident in the success of various independent films that tackle complex subjects, often leading to critical acclaim and audience engagement.

In addition to its artistic aspirations, “Crack’d” may also serve as a catalyst for further investment and interest in regional filmmaking in the UK. By showcasing the talent and stories emerging from Liverpool, the film could help to inspire future projects and encourage other filmmakers to explore their local narratives. This could lead to a broader movement within the British film industry, promoting a diversity of voices and experiences that reflect the complexity of modern life. The representation of working-class stories, particularly from regions outside of London, is essential in creating a more inclusive cinematic landscape.

As the film continues through its production and approaches its festival debut, the anticipation surrounding “Crack’d” is likely to grow. With its compelling narrative, strong performances, and a dedicated team behind it, the film stands to not only entertain but also provoke thought and discussion around important social issues. The journey of “Crack’d” from conception to screen will be closely watched by both audiences and industry professionals, marking it as a significant entry into the landscape of contemporary British cinema. The film’s success could pave the way for more projects that prioritize character-driven narratives and regional stories, ultimately enriching the film industry as a whole.