Four Iranian Films to Compete at 30th Flickers' Rhode Island International Film Festival

ALN NEWS DESK
ALN NEWS DESK
Updated : Jul 22, 2026, 11:18 PM IST
5 min read
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Four Iranian films, including 'My Daughter's Hair' and 'White Flag', will be showcased at the 30th Flickers' Rhode Island International Film Festival from August 4 to 9.

Four films from Iran will compete in the 30th Flickers' Rhode Island International Film Festival (RIIFF), which will be held in Rhode Island, the US, from August 4 to 9. This festival has become a significant platform for independent filmmakers, showcasing a diverse array of films that often tackle complex themes and social issues.

The Iranian films participating in the festival include “My Daughter's Hair” directed by Hesam Farahmand, “White Flag” by Parviz Rostami, “Hide & Seek” by Fatah Minoobakhsh, and “The 80 Blows” by Alireza Abbasi, as reported by Honaronline. Each of these films offers a unique perspective on contemporary Iranian society, reflecting the challenges and narratives that resonate within the country.

“My Daughter's Hair” is a narrative drama that was produced in 2025. The story revolves around Raha, a teenage girl who is passionate about animation and is on the brink of submitting her university project. However, her life takes a dramatic turn when her laptop is stolen. In a desperate bid to replace it, Raha decides to cut her hair and sell it. This act symbolizes not only her sacrifice but also the lengths to which individuals, particularly young women, must go to pursue their dreams in a challenging environment. Raha’s father, in a gesture of support, uses the money from her hair to buy a second-hand laptop. However, this seemingly simple act leads the family into a mysterious adventure, highlighting themes of resilience and the unforeseen consequences of one’s choices.

A joint production between Iran and Iraq, “White Flag” is a short film released in 2026 that poignantly addresses the aftermath of war. The narrative focuses on a couple living in a village near the Kurdistan border who have suffered the loss of their son and daughter-in-law due to bombing. As they navigate their grief, the couple collects remnants of the war from the surrounding mountains, bringing them back home. This act of gathering fragments of the past serves as a powerful metaphor for the struggle to make sense of loss and the attempt to piece together a life shattered by conflict. The film not only sheds light on the personal toll of war but also raises questions about memory, survival, and the human capacity to endure in the face of tragedy.

“Hide & Seek”, produced in 2025, is another short film that delves into the complexities of childhood and societal norms. Set during a religious ceremony, the story is told from the perspective of a 10-year-old boy, capturing the innocence and curiosity of youth. As the narrative unfolds, it explores the invisible boundaries of gender and the unspoken taboos that govern behavior within a traditional cultural framework. The film invites viewers to reflect on how societal expectations shape the experiences of children, particularly in a context where cultural practices can impose limitations on their freedom and expression. This intimate portrayal of a child's perspective serves to highlight the broader implications of societal norms on individual identity and personal growth.

In the short film “The 80 Blows,” produced in 2025, the narrative takes a darker turn as it follows a mother who poses as a taxi driver. With the assistance of her elder daughter, she embarks on a desperate mission to save her youngest daughter from police custody, where she faces the threat of an eighty-lash sentence. This film addresses themes of maternal sacrifice, systemic injustice, and the desperate measures families may resort to in order to protect their loved ones. The title itself, referencing the severe punishment, underscores the harsh realities faced by individuals within the legal system, particularly women, and raises questions about the intersection of law, morality, and familial loyalty.

The Flickers' Rhode Island International Film Festival is not only a platform for showcasing films but also a celebration of the independent spirit in cinema. It has become a haven for independent filmmakers from around the globe, providing them with an opportunity to present their work to a wider audience. The festival has a rich history, having screened a staggering 6,720 independent films and videos out of 87,532 entries over the past two decades. This impressive statistic underscores the festival's commitment to promoting diverse voices and stories that might otherwise go unheard.

Flickers is a non-profit arts organization dedicated to supporting and promoting the film arts in Rhode Island and throughout New England. Its initiatives extend beyond the festival itself, aiming to foster a vibrant arts community that encourages creativity and collaboration among filmmakers. The Rhode Island International Film Festival has presented 1,621 World/North American premieres and has featured over 1,350 entries that were locally produced, highlighting its role as a critical platform for regional talent.

In addition to showcasing films, the festival has hosted 4,582 filmmakers and crew members, providing them with opportunities for networking, collaboration, and professional development. This aspect of the festival is particularly significant, as it helps to cultivate relationships within the film industry and encourages the growth of independent cinema.

The inclusion of Iranian films in this year’s festival is particularly noteworthy given the current cultural and political climate in Iran. The artists behind these films often face numerous challenges, including censorship and limited access to resources. Their participation in international festivals like RIIFF not only provides them with a platform to share their stories but also fosters cross-cultural dialogue and understanding. As these films are screened and discussed, they contribute to a broader conversation about the complexities of life in Iran, the impact of social issues, and the universal themes of love, loss, and resilience.

As the festival approaches, there is a growing anticipation for the Iranian films and the stories they will bring to the forefront. The narratives presented in these films not only reflect the realities of Iranian society but also resonate with universal human experiences, making them relevant to audiences worldwide. The 30th Flickers' Rhode Island International Film Festival promises to be a celebration of creativity, diversity, and the power of storytelling through cinema.

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